The design focused on interpreting Musica Viva through its meaning as a Spanish expression, using that perspective to introduce a sense of cultural vibrancy into what I perceived as a highly sanitized and clinical design. While developing the project, I was deeply immersed in the music of Gloria Estefan, and I felt that incorporating a Spanish-speaking musical presence would create a poetic and lively contrast to the formal restraint of the original poster. To realize this idea fully, I designed an animated vinyl record featuring Mi Tierra, carefully matching its color palette to the dominant tones of Josef Müller-Brockmann’s composition. The record ultimately becomes the centerpiece of the animation, transforming the static poster into a playful visual transition driven by rhythm and movement. To further acknowledge the poster’s German and Swiss modernist origins, the animation opens with Clara Schumann’s Ich stand in dunklen Träumen before shifting into Gloria Estefan’s Ayer, deliberately subverting expectations through the transition from restrained classical music into the warmth and energy of Latin music. By blending structured Swiss modernist design with animation and culturally expressive music, the project reinterprets Musica Viva as something more personal, vibrant, and alive.